{"id":3196,"date":"2020-10-15T15:26:57","date_gmt":"2020-10-15T13:26:57","guid":{"rendered":"http:\/\/www.lesmissives.fr\/?p=3196"},"modified":"2020-10-15T17:09:40","modified_gmt":"2020-10-15T15:09:40","slug":"kiyemis-a-nos-humanites-revoltees-la-poesie-a-mettre-entre-toutes-les-mains","status":"publish","type":"post","link":"http:\/\/www.lesmissives.fr\/index.php\/2020\/10\/15\/kiyemis-a-nos-humanites-revoltees-la-poesie-a-mettre-entre-toutes-les-mains\/","title":{"rendered":"Kiy\u00e9mis, \u00c0 nos humanit\u00e9s r\u00e9volt\u00e9es : la po\u00e9sie \u00e0 mettre entre toutes les mains"},"content":{"rendered":"\n
\"\"<\/figure>\n\n\n\n

L’attribution du prix Nobel de litt\u00e9rature \u00e0 la po\u00e9tesse am\u00e9ricaine Louise Gl\u00fcck en octobre 2020 nous rappelle \u00e0 quel point la po\u00e9sie est un genre sous-repr\u00e9sent\u00e9 en France aujourd’hui. Peu de jeunes auteurs\u00b7rices s’y essaient tant le roman r\u00e8gne en ma\u00eetre sur la vie litt\u00e9raire. Heureusement, il y a Kiy\u00e9mis!<\/p>\n\n\n\n

Kiy\u00e9mis, c’est d’abord une voix, d\u00e9couverte dans le podcast Quoi de meuf ?<\/em> sur Nouvelles \u00c9coutes<\/em>, o\u00f9 l’on parle \u00ab\u00a0de patriarcat, de chat, de tofu et de Rihanna\u00a0\u00bb. \u00c0 force de l’\u00e9couter partager ses coups de coeur, coups de gueule, r\u00e9flexions et recommandations (merci pour I may destroy you<\/em>, tout un dimanche \u00e0 binger la saison 1 au lieu de bosser), j’ai eu envie de prolonger l’exp\u00e9rience en lisant son recueil de po\u00e8mes, \u00c0 nos humanit\u00e9s r\u00e9volt\u00e9es<\/em>, publi\u00e9 chez M\u00e9tagraphes en 2018 et r\u00e9cemment r\u00e9\u00e9dit\u00e9.<\/p>\n\n\n\n

Kiy\u00e9mis revendique un f\u00e9minisme d\u00e9colonial qui personnellement me met en joie, mais au-del\u00e0 des \u00e9tiquettes, elle parvient \u00e0 travers ce petit recueil qui tient dans une poche de salopette, \u00e0 mettre des mots sur le ressenti de toute une g\u00e9n\u00e9ration d’enfants n\u00e9s en France, qui n’ont pas le go\u00fbt des mangues, l’odeur de l’encens ou la voix du muezzin dans le c\u0153ur et dans la peau, et qui pourtant, ressentent avec douleur la nostalgie d’un pays r\u00eav\u00e9, ressass\u00e9, fantasm\u00e9 par des parents que les espoirs d\u00e9\u00e7us ont trop souvent ab\u00eem\u00e9s :<\/p>\n\n\n\n

\u00ab\u00a0La nostalgie gambade parfois<\/p>\n\n\n\n

Dans les r\u00e9cits de ceux<\/p>\n\n\n\n

Qui ont d\u00fb \u00f4ter leurs couronnes<\/p>\n\n\n\n

\u00c0 l’entr\u00e9e des pr\u00e9fectures.\u00a0\u00bb<\/p>\n\n\n\n

Kiy\u00e9mis dit la m\u00e9lancolie des d\u00e9racin\u00e9s par procuration, \u00e9voque la m\u00e9connaissance de la langue des anc\u00eatres qui fabrique des h\u00e9ritiers sans pass\u00e9, d’autant plus avides de revendiquer une identit\u00e9 qu’ils l’habitent en passagers clandestins :<\/p>\n\n\n\n

\u00ab\u00a0Si mes a\u00efeules marchaient sur les ann\u00e9es,<\/p>\n\n\n\n

Volaient \u00e0 travers les si\u00e8cles,<\/p>\n\n\n\n

Pour me d\u00e9voiler leurs confidences,<\/p>\n\n\n\n

Elles trouveraient des oreilles inutiles.\u00a0\u00bb<\/p>\n\n\n\n

L’autrice s’applique \u00e0 citer les \u00ab\u00a0vaillantes\u00a0\u00bb, ces \u00e9toiles qui l’ont pr\u00e9c\u00e9d\u00e9e, femmes souvent de l’ombre dont les \u0153uvres artistiques ou les activit\u00e9s politiques ont \u00e9t\u00e9 minor\u00e9es. Paulette Nardal et Suzanne Roussi-C\u00e9saire, initiatrices de la N\u00e9gritude, s\u0153urs de combat de Senghor et C\u00e9saire tomb\u00e9es dans les oubliettes de l’histoire, Awa Thiam, qui d\u00e9non\u00e7a d\u00e8s 1978 le sexisme, le racisme et le classisme dans La Parole aux N\u00e9gresses<\/em>, Rosalie-Solitude, embl\u00e8me de la R\u00e9sistance guadeloup\u00e9enne \u00e0 l’esclavage r\u00e9tabli par Napol\u00e9on et pendue \u00e0 trente ans le lendemain de son accouchement, mais aussi bell hooks, Audre Lorde, L\u00e9onora Miano, Gerty Dambury, toutes autrices et activistes qui, parce que femmes et noires subissent la double peine du patriarcat colonial. Kiy\u00e9mis, en les citant, en les chantant, participe \u00e0 l’urgence qui s’impose : changer les h\u00e9ros, en l’occurrence les h\u00e9ro\u00efnes, et n’en d\u00e9plaise \u00e0 certain.e.s, d\u00e9boulonner les statues, fracasser les mod\u00e8les qu’on croyait immuables, questionner les ic\u00f4nes, non pas pour oublier le pass\u00e9 mais bien pour inventer de nouvelles fa\u00e7ons d’\u00eatre au monde.<\/p>\n\n\n\n

Kiy\u00e9mis c\u00e9l\u00e8bre la puissance des m\u00e8res, la puissance du \u00ab\u00a0potomitan\u00a0\u00bb qui d\u00e9signe dans la soci\u00e9t\u00e9 antillaise le poteau central du temple ou de la case, celui qui soutient toute l’architecture de la maison et l’emp\u00eache de s’effondrer, et par glissement m\u00e9taphorique, la femme. Mais la \u00ab\u00a0femme-poteau\u00a0\u00bb de Kiy\u00e9mis revendique un au-del\u00e0 des t\u00e2ches domestiques, de la charge mentale et \u00e9motionnelle :<\/p>\n\n\n\n

\u00ab\u00a0Go\u00fbter les restes de la libert\u00e9<\/p>\n\n\n\n

Sur tes l\u00e8vres repues,<\/p>\n\n\n\n

Ne contentera pas mon c\u0153ur<\/p>\n\n\n\n

Affam\u00e9,<\/p>\n\n\n\n

je veux ma part !\u00a0\u00bb<\/p>\n\n\n\n

Parfois, on entend r\u00e9sonner les po\u00e8mes du lumineux Black Label<\/em> de L\u00e9on Gontran-Damas ou l’extraordinaire Phenomenal Woman<\/em> de Maya Angelou, quand Kiy\u00e9mis nous livre une po\u00e9sie en vers libres, affranchie des contraintes m\u00e9triques et rimiques, v\u00e9ritables fulgurances contemporaines :<\/p>\n\n\n\n

\u00ab\u00a0Regarde-nous.<\/p>\n\n\n\n

Les n\u00e9gresses sales.<\/p>\n\n\n\n

Les Niafous.<\/p>\n\n\n\n

Les Putes.<\/p>\n\n\n\n

Les Noirtes.<\/p>\n\n\n\n

Regarde-nous.<\/p>\n\n\n\n

Protester, puissantes.<\/p>\n\n\n\n

R\u00e9aliser l’impensable.<\/p>\n\n\n\n

Foutre le feu.<\/p>\n\n\n\n

Regarde-nous.<\/p>\n\n\n\n

Laides.<\/p>\n\n\n\n

Agressives.<\/p>\n\n\n\n

Hyst\u00e9riques.<\/p>\n\n\n\n

Mena\u00e7antes.<\/p>\n\n\n\n

Terrifiantes,<\/p>\n\n\n\n

Magnifiques.<\/p>\n\n\n\n

Magnifique, la voix de Kiy\u00e9mis captur\u00e9e dans un livre nous accompagne d\u00e9sormais au-del\u00e0 des limites du podcast et d’une connexion\u00a0wi-fi. Puisse-t-elle continuer \u00e0 chanter, \u00e0 s’affermir et s’affirmer encore pour ouvrir de nouvelles voies \u00e0 nos c\u0153urs et \u00e0 nos oreilles.<\/p>\n","protected":false},"excerpt":{"rendered":"

L’attribution du prix Nobel de litt\u00e9rature \u00e0 la po\u00e9tesse am\u00e9ricaine Louise Gl\u00fcck en octobre 2020 nous rappelle \u00e0 quel point la po\u00e9sie est un genre sous-repr\u00e9sent\u00e9 en France aujourd’hui. Peu de jeunes auteurs\u00b7rices s’y essaient tant le roman r\u00e8gne en ma\u00eetre sur la vie litt\u00e9raire. Heureusement, il y a Kiy\u00e9mis! Kiy\u00e9mis, c’est d’abord une voix, […]<\/p>\n","protected":false},"author":41,"featured_media":3198,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"class_list":["post-3196","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-girl-power-fiction","has-thumbnail"],"yoast_head":"\nKiy\u00e9mis, \u00c0 nos humanit\u00e9s r\u00e9volt\u00e9es : la po\u00e9sie \u00e0 mettre entre toutes les mains - Missives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.lesmissives.fr\/index.php\/2020\/10\/15\/kiyemis-a-nos-humanites-revoltees-la-poesie-a-mettre-entre-toutes-les-mains\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kiy\u00e9mis, \u00c0 nos humanit\u00e9s r\u00e9volt\u00e9es : la po\u00e9sie \u00e0 mettre entre toutes les mains - Missives\" \/>\n<meta property=\"og:description\" content=\"L’attribution du prix Nobel de litt\u00e9rature \u00e0 la po\u00e9tesse am\u00e9ricaine Louise Gl\u00fcck en octobre 2020 nous rappelle \u00e0 quel point la po\u00e9sie est un genre sous-repr\u00e9sent\u00e9 en France aujourd’hui. Peu de jeunes auteurs\u00b7rices s’y essaient tant le roman r\u00e8gne en ma\u00eetre sur la vie litt\u00e9raire. Heureusement, il y a Kiy\u00e9mis! 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Peu de jeunes auteurs\u00b7rices s’y essaient tant le roman r\u00e8gne en ma\u00eetre sur la vie litt\u00e9raire. Heureusement, il y a Kiy\u00e9mis! 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